Artists
João Almeida is a Portuguese trumpet player, improviser and composer based in Lisbon, Portugal. His solo, HOCUS, is focused on creating freezing sound layers, with drastic changes of scenery. He has shared the stage with some of the most relevant musicians in the international music scene, such as Peter Evans, Fred Lonberg-Holm and Brandon Lopez. He has played in festivals such as OUT.FEST, Guimarães Jazz, Festa do Jazz, has toured extensively through Europe and is part of Robalo Association, releasing music, organizing concerts, festivals and events. […] Read more…
Pavol Béreš (*1998) is a graduate of the J. L. Bella Conservatory (composition, piano) and the Academy of Arts (composition) in Banská Bystrica (Slovakia). Through the Erasmus+ program, he spent his first year of master (2023-24) at HAMU in Prague. As a composer and performer, he experiments with various styles and genres, aiming towards aleatoric, open and graphic scores, free improvisation and electronics. He is a threefold participant of the international Veni Academy project. In April 2024, he took part in the experimental music artistic residency project Re-patched in Serbia. He is also the founder of the alternative music band MPNP.  […] Read more…
František Chaloupka composes mainly instrumental music and scores for classical instruments, chamber and symphony orchestras, opera and multimedia works. After finishing his studies of composition at the Janáček conservatory in Ostrava, he went on to study a degree in Composition at Janáček Academy of Music and Performing Arts in Brno where he finished his PhD in composition. He was studying composition at the Royal Conservatory in The Hague with Louis Andriessen, Clarence Barlow, Martijn Padding and Richard Ayres. In 2012 he studied composition at Universität für Musik und darstellende Kunst Wien and California Institute of the Arts in Los Angeles. His pieces were commissioned and performed by internationally renowned ensembles e.g. Klangforum Wien, Ensemble Modern & Péter Eötvös, New Century Players Los Angeles, Aleph Gitarrenquartett, IEMA International Ensemble Modern Academy, Janáček Philharmonic Orchestra, ONO Orchestra, Ostravská banda, Trio Accanto, Oxbridge Singers, Prague Modern, BERG Orchestra, Prague Singers Choir, South Bohemian Philharmonic, Hradec Králové Philharmonic, VENI Academy, Ballet of National Theatre Brno, Solaris3 among others. Festivals and venues such as Musica Viva Munich, Musikprotokoll Graz, Czech Centre in New York, Wien Modern, Ostrava Days of New Music, Prague Spring, Gaudeamus Muziekweek Utrecht, Autumn Chamber Music Days Riga, Contempuls Prague, NODO New Opera Days Of Ostrava, Autumn Introspection Prague and many others. He worked with conductors Peter Eotwös, Lucas Vis, Anu Tali, Jakub Hrůša, Petr Kotík, Jiří Rožeň, Jurij Galatěnko, Marko Ivanovič, Pavel Šnajdr and others. He worked also with Michal Pavlíček, Iva Bittová, David Koller, organist Kateřina KATTA Chroboková and other various artists. In May 2011, he was invited to Frankfurt for a workshop with Ensemble Modern (Frank Zappa, Heiner Goebbles, etc.) and conductor-composer Peter Eötvös. Within the project “Myths-Nation-Identities” he composed a piece called Mašín Gun (Seven Rituals for purging the Czech Lands from the Spirit of Communism) premiered by Ensemble Modern and Peter Eötvös at Musica Viva festival in Munich in 2012. The concert was recorded and broadcasted live at Munich Broadcasting. In April 2011, he founded Dunami Ensemble and performed his opera-installation Eve and Lilith at NODO festival New Opera Days of Ostrava 2012. Ensemble consists of recognized Czech jazz, classical and experimental music players, composers and improvisers. In 2016, Dunami Ensemble performed another opera-installation composed by Chaloupka called Chata v Jezerní kotlině at festival MusicOlomouc. In 2022 ,Dunami Ensemble performed his techno-optimistic flash-mob opera “Bachelor Party” for four saxophones and two sopranos. He participated in international courses for composers and percussionists in Trstěnice 2004 and 2005 and was given scholarship for both international festival Ostrava Days of New Music 2005 and 2007. In 2007 and 2009, the festival premiered his orchestral pieces An Ancient Calligraphy and Smooth The Heavens both performed by Janáček Philharmonic and conducted by Petr Kotík. His composition Allegory of the Cave II nominated by Czech Radio has succeeded at the 70th edition of the International show Rostrum of Composers 2024 and was ranked among the nine most outstanding in its category works recommended for world broadcasts and concert performances. […] Read more…
As a second generation Taiwanese-Chinese American (born 1976) living in Berlin, Audrey Chen’s work has long dealt with and continues to explore the displacement of story and history due to the migration and integration processes, loss and adoption of language, untold stories, and how the past can be accessed and traced through inherited and lived experience. Her practice is deeply intertwined with this act of invocation, calling upon the physical body to remember beyond the limitations of its own memory, beyond its lifetime into generations past, simultaneously echoing into the present and forwards. Through extreme and unprocessed hyperextensions of her voice, she invokes a highly amplified joint resonant body/space transforming itself in a feedback loop of imagination, touch, vibration, sound and aural sensation. Aside from her solo concerts, Chen performs currently, since 2005, in duo with Phil Minton; BEAM SPLITTER with Henrik Munkeby Nørstebø; MOPCUT with Lukas Koenig and Julien Desprez; in duo with electronic music artist Kaffe Matthews; and as a duo for voice/live digital process with Mexican sound artist Hugo Esquinca. Some album releases include, “By the Stream” with Phil Minton – Subrosa (BE), “Hiss & Viscera” with Richard Scott – Sound Anatomy (Berlin), “Rough Tongue”, BEAM SPLITTER’S debut LP – Corvo Records (Berlin) and latest “Split Jaw” on Tripticks Tapes (US), her solo album “Runt Vigor” – Karl Records (Berlin) and two records with MOPCUT, “Accelerated Frames of Reference” – Trost (AT) and “Jitter”, a split release on Opal Tapes (UK) and Ventil Records (AT). Chen has performed across Europe, Russia, Ukraine, Turkey, Australia, New Zealand, China, Japan, Taiwan, Brazil, Argentina, Ecuador, Canada and the USA. Past festivals include: Festival Beyond Innocence (Osaka, JP), Maerzmusik (Berlin, DE), Klangspuren (Schwaz, AT), NUMA Circuit (Tenerife, ES), Sound of Stockholm (Stockholm, SE), Jazz Saalfelden (Saalfelden, AT), Plateaux Festival (Torun, PL), Color Out of Space (Brighton, UK), Music Unlimited (Wels, AT), 2PI (Hangzhou, CN), Jazz à Luz (Luz-Saint-Saveur, FR), Festival Muzzix (Lille, FR), La Voix est Libre (Toulouse/Paris, FR), Total Meeting (Tours, FR), Now Now (Sydney, AU), Uncool (Poschiavo, CH), the Next Festival (Bratislava, SK), Colour Out of Space (Brighton, UK), Donau Festival (Krems, AT), Musique Actuelle de Victoriaville/FIMAV (CA), Festival Ecuatoriano de Música Contemporánea (Quito,Ecuador), Elevate (Graz, AT), Ear We Are (Biel, CH), Meteo (Mulhouse, FR), Angelica (Bologna, IT), Wiener Festwochen (Vienna, AT) and Wien Modern (Vienna, AT). And venues such as: Covent Garden (London, UK), Radialsystem (Berlin, DE), Zacheta National Gallery (Warsaw, PL), Musée du quai Branly (Paris, FR), Radio France (Paris, FR), Théâtre Bouffes du Nord (Paris, FR), Auditorio de Tenerife (Tenerife, ES), Teatro Colon (Buenos Aires, AR), Bimhuis (Amsterdam, NL), Rote Fabrik (Zurich, CH), Teatro Fondamenta Nuove (Venice, IT), DOM (Moscow, RU), Wiener Konzerthaus (Vienna, AT), Opéra de Lille (Lille, FR) and Robert Wilson’s Watermill Center (Water Mill, NY, US). “Singing with Audrey is like working with all the possible noises of the universe and beyond, earthquakes, colliding galaxies and slugs sliding down a wet window, very quiet.”  – Phil Minton, Minton at 80, The Wire Magazine December 2020 […] Read more…
Marcell Csuka is a dynamic musician specializing in contemporary music. He has participated in numerous prestigious events, including artistic residencies, international festivals, and masterclasses. Notable achievements include performances with the Danubia Symphony Orchestra, UMZE Ensemble, and at the International Summer Courses for New Music in Darmstadt. Marcell has collaborated with renowned artists such as Péter Eötvös and Fabian Panisello, and has premiered works by composers like Jörg Widmann and Augustin Braud. […] Read more…
Marie Čtveráčková aka Mary C is a sound artist, DJ, organizer, educator and co-founder of Synth Library Prague – community space for sharing, learning, discussions and experiments not only in the field of electronic music. In her artistic and educational practice, she is focused on feminist perspectives, social and political context, accessibility and dismantling stereotypes, as well as supportive and collaborative strategies. As educator she collaborates on music programs for schools focused on current electronic music, rap, new instruments and critical listening.  […] Read more…
Born in 1978 Beirut Lebanon, Tony Elieh is a self taught musician, composer and photographer. He is one of the pioneers of rock and experimental music in Lebanon, founding member of the first post-rock group of post-war Lebanon, Scrambled Eggs, one of Beirut’s most prolific and talented rock bands of the early 2000’s, and remained with the group from its beginnings until its demise in 2015. He has recorded many acclaimed albums, and composed music for several movies including an award winning movie soundtrack. At the same time, he has started developing his own sound, expanding his approach to electric bass performance, allowing him to shift from punk rock and pop rock to improvisation, jazz and experimental music. Nowadays a member of the improvising groups Karkhana, Calamita, and Wormholes Electric, Elieh is part of the Lebanese experimental music scene where he has collaborated with Lebanese musicians such as Sharif Sehnaoui, Mazen Kerbaj, Raed Yassin, Charbel Haber, Tarek Atoui, Jad Atoui, Fadi Tabbal, Youmna Saba, Cynthia Zaven, Rabih Mroue, Jerusalem in My Heart a.o. International collaborations include Tony Buck, Saadet Türköz, Roger Turner, JD Zazie, Chris Corsano, The EX, Elliott Sharp, Magda Mayas, Jean Francois Pauvros, Hassan Khan, Mike Cooper, Michael Zerang, Jean Marc Montera, Sam Shalabi, Kayyam El Lami, Julian Santorios a.o. Elieh has performed solo and with his own projects at renowned international festivals and venues such as the Berlinale, Ruhrtriennale, Berlin Biennale, Frankfurter Buchmesse, DAAD Mikromusik Festival Berlin, Konfrontationen, Austria, Klangspuren Festival, Austria, Le Guess Who?, Cannes Film Festival, Printemps de la Danse Arabe, Paris, Guggenheim Museum, New York, Roskilde Festival a.o. His interdisciplinary projects are numerous. He has composed and performed music for cine-concerts, as a homage to classic renowned silent movies with live improvised music. He has also composed and performed live music for different plays and dance performances which have toured internationally. On January 2021, Elieh received the Weltoffenes Berlin, a one year residency supported by Akademie Der Künste. […] Read more…
Susanna Gartmayer, born 1975 in Vienna, studied painting and printmaking at the academy of fine arts (Vienna) and has been working as a bass clarinetist, composer and improviser in various fields of experimental music since the early 2000s. She is member and founder of numerous ensembles for improvised and organized music and her particular interest lies in the polyphonic sound possibilities of low clarinets, open forms of composition as well as theory and practice of collaborative work processes. Since 2015, together with Thomas Berghammer and Didi Kern, she has been organizing the Monday Improvisers Session at Celeste in Vienna – a weekly musicaly multiideomatic platform for improvisers in Vienna and far beyond. She has performed at Konfrontationen Nickelsdorf, Museum of Modern Art Indianapolis, Unlimited Wels, Avant Art Festival Wroclav, Festiwal Musikofilia Torun, Kaleidophon Ulrichsberg, Huddersfield Contemporary Music Festival, Hongkong City Hall, Meakusma, Musikprotokoll, Wien Modern, Fusion Festival, Bad Bonn Kilbi, Jazzfestival Saalfelden, artacts, Taktlos Festival and many more. […] Read more…
Patrick Guionnet offers a unique carreer into the world of performing arts. Pure autodidact, it is both clown (for circus Joseph Bouglione (1999-2000), since 1999 in the hospital with the association “Clowns of Hope”, in improvised street wanderings with companies “Les Pas Sages of Clowns” and “Articho” in April 2009 he moved to the Philippines with “Clowns Without Borders”), singer or rather “voice player” in Lille different formations (“One DPI” or “Princes of the Universe”) and dancer, or rather “body player” for companies “Intro Visu” (Jean-Luc Caramelle), “Spiral Carolina” (Olivia Grandville) and “Hop We Live Here” (Corine Petitpierre and Yvan Clédat)… Without proper technique but with true energy, Patrick Guionnet sees himself primarily as a performer improviser always seeking to develop and highlight the intimacy that can exist between improvisers and as far as possible, move the audience. […] Read more…
Arnold Haberl, aka noid (b. 1970), studied cello and mathematics, and currently teaches MultiMediaArt. As a composer, sound artist and performer, his work spans cello solos, ensemble pieces, electronic music, and sound installations. His approach is fundamental research, challenging conceptions of music and performance. He collaborates with various artists across genres and performs at international festivals such as musikprotokoll Graz, tuned city Messene, and Wien Modern. He is a member of Künstlerhaus Wien and organizes the concert/performance series ‘DerBlödeDritteMittwoch’. […] Read more…
Praised for her equally intense and boldly dramatic performance style, Sylvia Hinz is one of the world’s leading recorder players, specializing in contemporary music & improvisation. In addition to intensive sound research for the instrument recorder, Hinz breaks new ground with the combination of sound, electronics and video art, and works with numerous international composers such as Mathias Spahlinger (DE), Jeanne Artemis (DE), Zeynep Gedizlioglu (TR), Cat Hope (AU), Michele Abondano (CO) or Sarah Angliss (UK). She studied recorder at the Berlin University of the Arts with Gerd Lünenbürger, experimental music with Dieter Schnebel, chamber music with Nigel North, and ensemble conducting at the BAK Trossingen. She curates and performs solo programmes and concerts with ensembles and orchestras, loves unusual instrumentations and collaborations with other arts, promotes international collaborations, undertakes concert tours worldwide, gives master classes and workshops. Her most recent interdisciplinary works engage in dialogue with art by Ana Mendieta and Francesca Woodman, and the phenomenon of optical and geological caustics. […] Read more…
Matěj Kotouček is a musician and sound artist living in Prague. He is currently a member of the Noise Kitchen platform and makes music in the electro-acoustic duo Thistle, solo as Loops of Decay, and occasionally in other collaborations, for example with John Clardy (Tera Melos, Waterbased) or Freddie Hudson. He is also a member of the AVA kolektiv – a collective of like-minded producers, artists and promoters based in Brno (Czech Republic). He founded the audiovisual turned-band-later project Sky To Speak. He worked at Bastl Instruments as a head of the Noise Kitchen store, directed the Nona Records label, and organized lectures, events and residencies at Vašulka Kitchen. In addition to his own work, he composes music for theater plays (Divadlo Feste), video games and audiovisual projects.  […] Read more…
With a wealth of experience in the Belgian experimental music scene, the French alto saxophonist, who lives in Brussels, has been devoting her energies to experimental music and improvisation for years, constantly questioning the language of the instrument, the phrase and the sound event. Following her motto “From phrase to sound event through all kinds of atoms and particles”, Audrey Lauro demonstrates a carefully considered use of sound vocabulary. For more than fifteen years, she has been performing in various venues and festivals in Belgium and internationally, and collaborates with the Antwerp-based innovative production platform/ensemble for multidisciplinary music projects ChampdAction. Her discography includes more than fifteen releases since 2008, in 2022 she recorded a solo album “Sous un ciel d’écailles” on the Gent label El Negocito Records, retracing a work for saxophone solo she started in 2011. A second solo album “prose métallique” will be released in autumn 2024 on the Relative Pitch Records label. She has recorded three albums in the last decade with the long-standing trio Lauroshilau, which also includes Pak Yan Lau and Yuko Oshima. She is also a member of the saxophone ensemble La Nuée and forms the duo Dark Ballads with guitarist Giotis Damianidis. She recently joined the Canopée Improvisation Music Ensemble (C-IME), an all-female, 8-piece improvisation ensemble formed out of a desire to experiment with the confluence of timbres, emptiness and fullness that silence brings. As an alto saxophonist, Audrey Lauro focuses on free improvised music and is also involved in multidisciplinary music projects. On 23 May 2024, she was invited by the Canadian ensemble GGRIL to create her piece “Ritournelle Reverse”. Since 2007, she has been conducting music workshops with teenagers and children and regularly works in secondary schools. […] Read more…
Vicente Mateus (1996) lives and works in Porto and has a background in visual and sound arts studies. His work navigates through fields related with sound and drawing, using drum/percussion objects as tools for his work. He takes interest in collaborative movements and DIY methods, using repetition and error to construct instruments, sounds and images. Since 2022, he has been an active member of Sonoscopia Associação Cultural, a platform for creation, experimentation and reflection on sound, based in Porto.  […] Read more…
Born in 1986 in Milan (Italy), Elia Moretti researches contemporary and experimental music theatre through an ecological perception of sound. Elia is a PhD student at Charles University in Prague (CZ), where he is developing a research between music and performing arts, with a specific focus on the performativity and agency of sound itself. He is particularly interested in the sonic phenomena that form the basis of performative and theatrical practices, and the ways in which artistic practices participate in the contexts (social grounds) from which they emerge or to which they respond. […] Read more…
Paulina Owczarek – saxophonist and improviser, graduated from the Academy of Music in Krakow. She plays the alto and baritone sax. Interested mainly in free improvisation, she also performs contemporary chamber music, having premiered numerous new works for saxophone in Poland. She is an active member of improvised and experimental music scene, curating and taking part in Krakow free improv projects (such as Institute Of Intuition, Muzykoterapia) and international festivals of contemporary and improvised music (Ad Libitum, Sacrum Profanum, Berlin Jazz Festival, Hurta Cordel, Musica Electronica Nova, Ostrava Days, Lublin Jazz Festival, AudioArt, Sound Exchange, Krakow Jazz Autumn, Mirror Mirror, Discordian Community Riot, No Woman No Art, Unsound, Soundance, Saalfelden Jazz Festival). The founder and conductor of Krakow Improvisers Orchestra, an ensemble dedicated to conducted improvisation. Currently she is also involved in groups such as Morświn, Cranky Ego, WOO, Quadrilateral Exchange, Human.error, Dust Mite Paradise, Figa, Open House, Ute von Bingen and Sambar. She has been a member of Stare Taśmy, OCHO, London Improvisers Orchestra and Satoko Fuji Orchestra; she has worked with theatres and has improvised with poets, dancers and painters. […] Read more…
Lucie Páchová is a sound artist and composer specializing in contemporary composition, experimental music, and improvisation. She often incorporates voice, objects, field recordings, and physical movement into her work. Lucie holds a PhD from JAMU, focusing on live conducted improvisation. In 2011, she founded the quintet Talaqpo, performing compositions inspired by her experiences in Asia and Africa. Additionally, she composes for jazz orchestras such as Concept Art Orchestra and JazzDock Orchestra, as well as chamber groups including Arará, Love_me, Dunami ens., Paliome and Jungle Debris. Lucie collaborates with organizations like Continuo Theatre, Prague Improvisation Orchestra and Stratocluster. Through her sound installations like Imaginary garden, VoiSineAgge, and Voisphere, she explores the physical aspects of sound, voice, and space. Lucie has participated in various music residencies worldwide including AIR Krems in Austria, A4 space in Bratislava, Slovakia, OneBeat in the USA, TAM in Veliko Tarnovo, Bulgaria, All about music in India, and workshops in Poland and Uganda. She is actively involved in educational and organizational activities focusing on voice, movement and collective improvisation. Recently, she has been organizing workshops on African folk songs, field recording, conducted improvisation and electronic music within the community. […] Read more…
Rosa Parlato is a flutist, improviser and composer. She graduated in flute at the Conservatory of Rome and at the Academy of Music of Budapest. She obtained several interpretation prizes at the conservatories of Metz and Lille. In 2010, she started training in electroacoustic music at the Art Zoyd Studio. Since then, she has participated in numerous ensembles and improvised encounters. As a composer, her acousmatic works have been broadcasted in several festivals. She has also collaborated on projects for film and video. Rosa mixes abstract compositions, acoustic and electroacoustic collages, the musicality of voice and language, extended instrumental techniques, contemporary music and musical theater. Her musical vision plays with the borders between disciplines and aesthetic constraints in order to privilege the listening, the meeting, the moment. Among her projects : Fatrassons, Isophone, Wasteland noise quartet, sextet 36, Compagnie-i, Collectif 4.6.Art, Collectif Sounding Arts. She collaborates with the Centre de Création Musical Art Zoyd Studio, with Le Fresnoy, with Compagnie BVZK, La pluie d’oiseau, Apo 33, GMVL, Miso Musica, Athénor, Light Cone, Les Détours de Babel… […] Read more…
Maryline Pruvost is a free jazz singer and flutist who lives in the north of France. Graduated of the CFMI in Lille and the Conservatoires of Lille and Montreuil, she has worked for several years as a musician in schools. Maryline Pruvost is a member of the Lille-based musicians’ collective Zoone libre, and in particular of Vazytouille and the trio Washboard and the Jazzy Mates. Maryline Pruvost also plays in the Organik Orkeztra, a project led and co-directed by Kristof Hiriart and Jérémie Ternoy. With the Lagunarte Company, she also created Milia, a solo show for toddlers. She is a member of the Muzzix collective and takes part in different projects and bands. In 2021, she created a solo for voice and Indian harmonium, Out to breathe, exploring the intermingling of the two instruments. Playing voice, flute and Indian harmonium, she is constantly experimenting and collaborating, crossing aesthetics and encouraging artistic encounters. […] Read more…
Clara Saleiro is a flutist specialized in the interpretation of contemporary music who loves the constant new experiences and challenges that music brings to her life. She’s interested in the creative process of pieces and performances, the possible interactions between interpreter and composer and between music and other artistic areas, the symbiosis with electronic music and digital technology, and the interpretation of notated music as well as improvisation. As the founding member of Noviga Projekto (AT) as well as flutist of the ensembles Vertixe Sonora (ES), Barcelona Modern (ES) and SUPERNOVA (PT), she debutes every year dozens of pieces from composers with whom she works directly and participates at several international music festivals. Clara Saleiro is regularly invited to collaborate with different ensembles, orchestras and in different chamber formations, ranging from classical to contemporary repertoire, as well as with exploratory and improvised music groups. She is the flutist of the Pedro Melo Alves’ Omniae Large Ensemble (PT). Clara began to play the flute when she was eight years old at Academia de Música S. Pio X de Vila do Conde, in her hometown in Portugal. Throughout her musical career she studied at renowned institutions of Portugal such as Artave, ANSO-Metropolitana and Universidade de Aveiro. Additionally, she completed a master’s degree at Royal Academy of Music in London, specialized in contemporary music at the flute studio of Stephanie Wagner (Remix Ensemble), completed postgraduate studies in contemporary music at Kunstuniversität Graz (Austria), with the Klangforum Wien, and was part at the Lucerne Festival Academy (Switzerland), being a member of the Lucerne Festival Contemporary Orchestra. Furthermore, she studied improvisation at the Interferência’ courses. […] Read more…
Since 2005, Simon Whetham has developed a practice of working with sonic activity as a material for creation. He often uses environmental sound, employing a variety of methods and techniques in order to obtain often unnoticed and obscured sonic phenomena. He explores ways of creating physical traces of sound, and of channelling and transforming energy, most recently salvaging and repurposing obsolete consumer technology. He performs and exhibits internationally, participating in Sonica Festival, 28.MFRU, phonon~festival, Fresh Winds Biennale, Nakanojo Biennale, ACC Showcase, Tsonami Festival, Madeiradig and Moers Festival; has a large number of published works; and regularly collaborates with artists of other disciplines.  He has received a number of commissions and awards including: 2020: Arts Council England grant to develop studio works2017: British Council supported participation in Tsonami Festival in Chile2009: Grants from Arts Council England and PRS for Music to curate and organise the cultural exchange project ‘Active Crossover’2007: Grant from Arts Council England to attend the Mamori Sound Project, Amazonas, Brazil […] Read more…
Active in classical, composed, experimental and improvised contemporary music, Milana Zaric is a creative musician, solo and ensemble harpist, artistic director of Collective Studio6, composer, curator, educator and researcher. She performed across 3 continents, playing plucked string instruments with small percussion and voice. She has been a member of various ensembles and orchestras and has commissioned over 30 new solo and ensemble works. Having been the principal harpist at Belgrade Philharmonic for many years, she now teaches at the Royal Conservatoire in The Hague. […] Read more…